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ISSN 2309-0103 www.archidoct.net
Vol. 7 (2) / February 2020
discussed. The essay briefly outlines the rhizomatic framework developed by the author, aiming at overcoming two prevailing tendencies: first, the one-sided view of scientific approaches to knowledge acquisition and the purely application-oriented handling of materials, technologies and machines; second, the distanced perception of the world. On the contrary, the work presented, involves project-driven alchemic curiosity and doing research through artistic design practice. This means thinking through materials, technol- ogies and machinic interactions. 10 interdisciplinary projects that have emerged from this ontological queer-paradigm that is post-digital–crafting 4.0. are illustrating the underpin- ning theoretical viewpoint.
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Maria Vogiatzaki
Meta